'Hereford Plays series Essay\r'

'After the complex events of the prospect before, Marco jumps in to try and regain his chum’s dignity. This is his family and he can non let Rodolpho be disgraced like that or be hurt; whether it was near a tilt or non, Eddie was unwrap of order and Marco won’t allow it. As Catherine and Rodolpho dance, Marco discusses a ‘friendly’ challenge: ‘Marco takes a leaveman and places it in front of Eddie’. Eddie has to lift the chair as far up as he can with genius lot holding it by the rear of one leg.\r\nAs Eddie kneels and grasps the leg he lifts it by an inch whereas when Marco tries it he lifts it all the air above his head. This simple action manifestly had a motive behind it: to remonstrate with Eddie to lay off his brother that Eddie consciously k instantaneouslys that he won’t give up that easily. Marco has visual aspectn that Eddie may think he’s more of a man than Rodolpho only Marco is more of a man than Eddi e; this event has generally hangdog Eddie in his home, which is something this voice lifes very strongly about as the head of the household. The photograph needs a sense of oppositon and competition.\r\nIn order to emphasise what is to be a professedly test of strength, the onlookers (Rodolpho, Catherine and Beatrice) need to exact complete aw areness and support of Marco’s triumph. In this expectation you cod to visually compare the failure of Eddie in affinity to the triumph of Marco. While Marco is lifting the chair he is struggling and the tension in his neck, face, mail and especially his facial verbal expression is involve to portray not safe achievement of lifting the chair but the triumph of set Eddie to dishonor and gaining some respect for his brother.\r\nThis scene is a turning point in the story because Eddie now knows that if he wants Rodolpho out of his life he’ll may pull in to take even more original measures and the battle has turne d from not just putting Catherine off of Rodolpho but to suffer these immigrants out of his house. It’s important for its visual impact on the earshot because its spectacular actions of a fight for strength and self-dignity turns the all told generalisation of the story from a talented family get-together into a potential ‘crime against his (Eddie’s) family and the Sicilian community’ (as quoted from synopsis/pri??\r\ncis of the book). Its also important because it shows Marco’s confirm slyness; justified because he has dishonoured Eddie but only in retaliation to Eddie winning advantage of Rodolpho. As soon as Marco said â€Å"hither… ” and started to lift the chair it is the beginning of Eddie’s slowly increasing shame and disgrace. The victory celebration should idealistically be a smiled expression (from Marco) as if to imply to Eddie that no-one messes with his brother or else they’ll answer to him. As director I would issue the following instructions:\r\nCatherine: you’re enjoying your dance with Rodolpho and you are nai?? ve as to what energy be going on with Eddie and Marco so economise off guard and turn to the situation as though its just a bit of fun among them. Beatrice: you have realised that Eddie feels discomforted at the worn d ingest position that he has been put in; however you believed that he deserved it and you are just hoping that Eddie has learned his lesson and will not interfere again. Act supportive at his distress but don’t destroy is ride by lecture about it too much (as your character would naturally do)\r\nEddie: you have to accept Marco’s offer very boldly and confidently as Catherine might be ceremonial and you don’t want to rearward down now. Your facial expression has to show repressed rage at Marco; wear out your teeth and be silent to keep your pride, you want everyone else in the room to feel that what has happened doesn ’t mean or arise anything so get on as though it didn’t happen although you’re still much aware of the harm that Marco has done Marco: you are proud of what you have accomplished but you’re not going to look like a show off; if you win gracefully it will add to Eddie’s shame which is something you want to do.\r\nYour facial expression should recount ‘ I’m triumphant and taking it well’ In conclusion, Eddie cares about his family and the responsibilities that cope with it. He was strict in the fosterage of Catherine and had the utmost respect for his wife. Even though he made a home run of himself and died just for his name (his dignity) we must roll in the hay he had a strong and defiant will or view that was his own and that he fought to uphold, such as his ‘ lowbred man’s view’ that there must be a natural law that keeps Catherine from marrying Rodolpho because he is supposedly a homosexual.\r\nThe bottom line is Eddie should have settled for half meaning he brought Catherine up and now it was time to let her go. So in the end, Eddie dies to keep his pride and his ‘name’ but doesn’t even gain the audience’s admiration because his actions were unnecessary. As quoted by E. R. Wood, who wrote the introduction in the Hereford Plays serial (1975) publication of ‘A View From The link up’, â€Å"To be a tragic hero, you do not have to be in the right; you have to be true to yourself. ” So Eddie was guilty of destroying the lives of these immigrants and the only respectable way out was to die.\r\n'