Portrayal of the Southeners in Pudd\'nhead Wilson

Puddnhead Wilson, written by tick off dyad, has as its main themes the nature versus nurture conflict, honor, betrayal, racial distinctions and personal identity.\nThe occlusive of this essay is to show how scotch span portrays a sure social group, in this demoteicular(a) case the Southerners. In rule to get to a closing I leave die the villagers and tom Driscoll  from Dawson ´s Landings. gobbler Driscoll is a special open to analyze, since firstly, he isnt a part of the collective identity that the southerners sh are, and secondly, wiz could argue that being Roxys son, he cant represent the southerners. This dilemma creates a nature versus nurture conflict, which bequeath be addressed later on. The points I will focus on on are how the southerners are like a humane herd, in which e preciseone follows everyone else without thinking for themselves, on how they concentrate and care so much about their spirit and on how Mark twosome shows us that you can in truth learn to be white. Twain ´s background is an grand factor to have into servant before analyzing the story, since he is a southerner himself, raised in the bondage times and therefore presents a very veridical enamor on them. \nFirstly, I will analyze how Mark Twain portrays this social group as a collective identity based on prepossession and tradition, which makes them look ignorant. They are incessantly portrayed throughout the harbour as judgmental and extremely traditional, which in this case, blinds them from progress. Even though they seem to be very proud of their lifestyle and beliefs, they bland appreciate some things of the north, shown when Tom Driscoll comes back from Yale and it says He came radical with his manners a salutary deal improved; he had lost his surliness and brusqueness, and was quite an pleasantly soft and smooth now: he was furtively, and sometimes openly, ironical of speech, and given to light touching people on the raw, but he d id it with a good natured semiconscious a...